Switzerland / Website
Peter Liechti (born in 1951 in St. Gallen, Switzerland, died in 2014 in Zürich) studied art history at the Zurich University (1971-1979) and was a graduated art teacher. From 1986, he worked as a free lance screenwriter, cameraman and director. His films were awarded at numerous festivals (Locarno, Torino, Leipzig, Saarbrücken or Solothurn) and participated in various workshops and seminars in Zürich, Geneva, Lausanne, Luzern, Munich, Hamburg. Masterclasses in Capetown, Beijing, Dublin, Edinburg, Bochum, Buenos Aires.
Dedications (2013/14, 60 min.)
Father's Garden (Vaters Garten) – The Love of My Parents (2013, 93 min.)
The Sound of Insects – Record of a Mummy (88´, Switzerland, 2009)
Hardcore Chambermusic – A Club for 30 Days (52´, Switzerland, 2006)
Namibia Crossings (92´, Switzerland, 2004)
Lucky Jack – Three attempts to stop smoking (90´, Switzerland, 2003)
The Physicians (6´, Switzerland, 1999)
Martha's Garden (89´, Switzerland, 1997)
Signer's Suitcase – On the Way with the Artist Roman Signer (82´, Switzerland, 1996)
A Hole in the Hat (32´, Switzerland, 1991)
Grimsel – Ein Augenschein (48´, Switzerland, 1990)
Fuse – performance with Roman Signer (26´, Switzerland, 1990)
Kick That Habit (45´, Switzerland, 1989)
Spring Thaw (8´, Switzerland, 1987)
Théâtre de l'Espérance (19´, Switzerland, 1987)
Alpine Forays (33´, Switzerland, 1986)
Vertical/Horizontal (8´, Switzerland, 1985)
Summer Hills (50´, Switzerland, 1984)
Ausflug ins Gebirg (Orig.) / 1986 / Switzerland / 33 min
While on vacation, a man takes an excursion to an unfamiliar neighbouring country. There, in the alpine confinement, he finds an ideal echo for the rage he had brought with him: rage towards the mountains, civilisation and mentality. At times, a sense of glee even surfaces with this unbridled rage. He needs these forays into the mountains. He uses his anger to get to the bottom of his discomfort.
Grimsel – Ein Augenschein (Orig.) / 1990 / Switzerland / 48 min
Grimsel-West was the name of a project for the expansion of the hydroelectric plant in the Hasli Valley. Submitted on 30 June 1988, its realization seems fairly improbable for the moment. Originally conceived as an expression of opposition to the construction of a new dam, the film tries to fathom the undercurrent of apprehension caused by such plans to exploit the environment.
Marthas Garten (Orig.) / 1997 / Switzerland / 89 min
Since weeks it's cold and wet. It's already late, Karl Winter is on his way home. Under dark circumstances he accidentally meets a woman of mysterious fascination - Martha... And so begins a love story of fatal dynamics which throws Karl far off the tracks of reason. Wicked dreams and subliminal changes in Karl's surroundings confirm his feelings that with Martha the uncanniness has also entered his life.
The Sound of Insects: Record of a Mummy (Orig.) / 2009 / Switzerland / 88 min
Peter Liechti's documentary is the winner of European Film Awards Prix ARTE for best European documentary in 2009. This year's edition of European Film Awards will take place in Berlin on 3 December.
Théatre de l’espérance (Orig.) / 1987 / Switzerland / 18 min
World peace, disarmament and re-armament are hackneyed phrases, and the images we see on television and in the paper are hackneyed images. It was with this in mind that I set out – with more than a little delight – to drag the long worn-out images of the Geneva summit between Reagan and Gorbachev into the spotlight once again.
Senkrecht / Waagrecht (Orig.) / 1985 / Switzerland / 8 min
The sequences of movement and the plots in Roman Signer’s action sculptures can be viewed as sculptures of space and time. The directions of movement in these documents proceed in a markedly contrasting fashion.