Last year saw the launch and pilot edition of KineDok, a unique international project presenting the screenings of creative documentary films enhanced by the debates with the authors of the films and various experts and by other interesting accompanying events. In 2016, this project, organized by the Institute of Documentary Film, offers 15 more European documentaries and brings site specific screenings also to the new audiences in Poland and Norway. Within the Czech Republic, the fans of creative documentaries have a chance to visit more than 150 screenings at at least 25 diverse places and explore current Czech and European documentary production.
2001 / Austria / 12 min
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The first few scenes are sufficient for Widrich to show his hero's growing confusion, and to gradually deepen the bewilderment felt by his audience. By skillfully altering certain shots-such as when an objective shot suddenly moves into a subjective point-of-view-and driving a fable into a state of paranoia, he blurs conventional narrative techniques and modes of identification.
Grainy black-and-white images and the soundtrack, which comprises solely music and sound effects, give Copy Shop a grotesque flavor, something of a pastiche of a Kafkaesque scenario in which the disappearance of all originality thanks to the various media is announced with a hint of irony. The film reflects this from the other direction by starting with the production process: originally shot on videotape, the images were printed out on a computer and then shot again with an animation camera.