For more than 10 years, Dutch director Leonard Retel Helmrich has been returning to the homeland of his parents to observe and record the transformation of Indonesia in the turbulent years of economic and cultural globalization. The Dafilms portal presents all of the three parts of his famous documentary trilogy, including the latest film Position among the Stars. On the backdrop of the tension in Indonesian society, Helmrich’s camera follows the Sjamsuddin family living their daily lives of work and worries, mutual love and hatred. In the week from May 21, you can watch the first two parts of the trilogy; The Eye of the Day and Shape of the Moon; for free.
Momma Don't Allow
DIR:
Karel Reisz,
Tony Richardson
1956 /
United Kingdom
/ 22 min
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Shot over nine Saturdays, the film was made cheaply with a 16mm Bolex, and single-track sound transferred from tape recordings. By the time it was completed in November 1955, its title has been changed from 'Jazz' to Momma Don't Allow, after the traditional jazz piece played in the film by the Chris Barber band.
Momma Don't Allow was warmer and more sympathetic to its working-class subject than Lindsay Anderson's O Dreamland. The film captures the emerging 'youth culture' - a term unheard of before the 1950s - contrasting the relaxed, confident working-class 'teddy boys' and their girlfriends with the more awkward 'toffs', whose arrival threatens to change the mood of the evening.
About
| Director | Karel Reisz, Tony Richardson |
|---|---|
| Screenplay | Karel Reisz, Tony Richardson |
| Dir. of Photography | Walter Lassally |
| Editing | John Fletcher |
| Music | Chris Barber Band |
| Sound | John Fletcher |
| Duration | 22 min |
| Year | 1956 |
| Country | United Kingdom |
| Colour | Black & White |
| Tags | classics, music, poetic, social issues, youth |
| Production |
BFI
BFI
Country: United Kingdom |
| Distribution |
BFI
BFI
Country: United Kingdom |
| Festivals |
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| Awards |
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