Read an exclusive interview with Polish filmmaker Słavomir Batyra, director of THE GREAT THEATRE. He will guide you through the recesses of his short film just like his film guides the viewers through the recesses of the largest opera house in the world. Would you like some opera tickets or rather cinema ones? What about taking both?
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Shot over nine Saturdays, the film was made cheaply with a 16mm Bolex, and single-track sound transferred from tape recordings. By the time it was completed in November 1955, its title has been changed from 'Jazz' to Momma Don't Allow, after the traditional jazz piece played in the film by the Chris Barber band.
Momma Don't Allow was warmer and more sympathetic to its working-class subject than Lindsay Anderson's O Dreamland. The film captures the emerging 'youth culture' - a term unheard of before the 1950s - contrasting the relaxed, confident working-class 'teddy boys' and their girlfriends with the more awkward 'toffs', whose arrival threatens to change the mood of the evening.
|Director||Karel Reisz, Tony Richardson|
|Screenplay||Karel Reisz, Tony Richardson|
|Dir. of Photography||Walter Lassally|
|Music||Chris Barber Band|
|Colour||Black & White|
|Tags||classics, music, poetic, social issues, youth|
Country: United Kingdom