How did the idea of presenting the Doc no Rio showcase of Brazilian documentary, a part of which is available exclusively online at DAFilms.com, come about? Why does it make sense to be interested in Brazilian film? The curator of the programme Maria Mendes has answers!
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Shot over nine Saturdays, the film was made cheaply with a 16mm Bolex, and single-track sound transferred from tape recordings. By the time it was completed in November 1955, its title has been changed from 'Jazz' to Momma Don't Allow, after the traditional jazz piece played in the film by the Chris Barber band.
Momma Don't Allow was warmer and more sympathetic to its working-class subject than Lindsay Anderson's O Dreamland. The film captures the emerging 'youth culture' - a term unheard of before the 1950s - contrasting the relaxed, confident working-class 'teddy boys' and their girlfriends with the more awkward 'toffs', whose arrival threatens to change the mood of the evening.
|Director||Karel Reisz, Tony Richardson|
|Screenplay||Karel Reisz, Tony Richardson|
|Dir. of Photography||Walter Lassally|
|Music||Chris Barber Band|
|Colour||Black & White|
|Tags||classics, music, poetic, social issues, youth|
Country: United Kingdom