“My work has two strands: the first one deals with direct political images of violence, aggression and protest, mostly in Israeli-Palestinian context. It’s critique of news media, researching the complex, both realistic and surrealistic aspects of these images. The second strand of videos is more abstract and universal, dealing with cognitive, environmental and existential issues,” says the director about his works.
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Shot over nine Saturdays, the film was made cheaply with a 16mm Bolex, and single-track sound transferred from tape recordings. By the time it was completed in November 1955, its title has been changed from 'Jazz' to Momma Don't Allow, after the traditional jazz piece played in the film by the Chris Barber band.
Momma Don't Allow was warmer and more sympathetic to its working-class subject than Lindsay Anderson's O Dreamland. The film captures the emerging 'youth culture' - a term unheard of before the 1950s - contrasting the relaxed, confident working-class 'teddy boys' and their girlfriends with the more awkward 'toffs', whose arrival threatens to change the mood of the evening.
|Director||Karel Reisz, Tony Richardson|
|Screenplay||Karel Reisz, Tony Richardson|
|Dir. of Photography||Walter Lassally|
|Music||Chris Barber Band|
|Colour||Black & White|
|Tags||classics, music, poetic, social issues, youth|
Country: United Kingdom