Blow-Up

2000 / Austria / 1min

With extraordinary verve, Siegfried A. Fruhauf has made a name for himself in contemporary Austrian filmmaking in only a few short years. Fruhauf not only carries on the fertile tradition of avant-garde filmmakers from Upper Austria (Kubelka, Export, Weibel and Brehm, to name a few), he has also succeeded in discovering an approach to "structural" filmmaking which never fails to surprise. Fruhauf´s films follow a discernible order, a concept which is worked out in advance. What was considered an "avant-garde" panacea in the late 70s, which more often than not turned into sheer academicism, is in his case broken up with humor. Fruhauf´s films are made with a wink and a nudge, and they draw their strength from an unbounded joy in experimentation with the material. The raw material used in Blow-up comprises two shots from an old educational film about first aid: A man demonstrates mouth-to-mouth resuscitation on a life-size dummy; the dummy´s chest rises and falls.
Fruhauf introduces this scene into his own métier, turning the "blow-up" metaphor into an image with a false bottom. With the aid of a digital photocopier, the strip of film was reduced in size to a narrow ribbon, and Blow-up shows this transformation in reverse: The ribbon is resuscitated, swelling gradually until the initial image is recognizable and, in the end, fills the screen. And this would not be a Fruhauf work if this educational film on the cinematographic body did not conclude with a roguish smile.... (Peter Tscherkassky)

Details

  • Original title
    Blow-Up
  • Direction
  • Screenplay
  • Dir. of Photo.
  • Editing
  • Music
  • Sound
  • Duration
    1 min
  • Year
    2000
  • Country
    • Austria
  • Colour
  • Audio Tracks
    NON VERBAL
  • Subtitles
    NONE
  • Production
  • Distribution
  • Awards

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