With this daring motto, playfully ironic visual design and primarily interesting film selection, Visegrad Film Festival presented its programme in Cork, Ireland. How was it, where does it go and why is it actually held in Ireland?
Siegfried A. Fruhauf
2000 / Austria / 1 min
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With extraordinary verve, Siegfried A. Fruhauf has made a name for himself in contemporary Austrian filmmaking in only a few short years. Fruhauf not only carries on the fertile tradition of avant-garde filmmakers from Upper Austria (Kubelka, Export, Weibel and Brehm, to name a few), he has also succeeded in discovering an approach to "structural" filmmaking which never fails to surprise.
Fruhauf´s films follow a discernible order, a concept which is worked out in advance. What was considered an "avant-garde" panacea in the late 70s, which more often than not turned into sheer academicism, is in his case broken up with humor. Fruhauf´s films are made with a wink and a nudge, and they draw their strength from an unbounded joy in experimentation with the material.
The raw material used in Blow-up comprises two shots from an old educational film about first aid: A man demonstrates mouth-to-mouth resuscitation on a life-size dummy; the dummy´s chest rises and falls.
Fruhauf introduces this scene into his own métier, turning the "blow-up" metaphor into an image with a false bottom. With the aid of a digital photocopier, the strip of film was reduced in size to a narrow ribbon, and Blow-up shows this transformation in reverse: The ribbon is resuscitated, swelling gradually until the initial image is recognizable and, in the end, fills the screen. And this would not be a Fruhauf work if this educational film on the cinematographic body did not conclude with a roguish smile.... (Peter Tscherkassky)
|Director||Siegfried A. Fruhauf|
|Dir. of Photography|
|Tags||experimental, found footage|
2000 Austin - Cinetexas - Int ...
2000 Austin - Cinetexas - Int. short film&video&new media festival