This film about the situation in presentday war-torn Ukraine originated over the course of a year as the director’s travel journal. Ukrainian teacher Tania, who works in Prague as a cleaning lady, takes the fi lmmaker along to visit her family in Transcarpathia. The director also meets with his friends who are local journalists, and with Petr, a revolutionary who gives an atypical tour of the residence of Viktor Yanukovuch. Observational, mostly static shots, in which Remunda appears only occasionally as a witness or moderator, is accompanied by his off-screen commentary offering reflections on his own relationship with Ukraine and with the media in general.
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