The cinema is a machine. Kopierwerk testifies to that, lets itself be carried by industrial rhythms, and in doing so, negotiates the analogue era.
The cinema is a machine. Kopierwerk testifies to that, lets itself be carried by industrial rhythms, and in doing so, negotiates the analogue era, whose end meant also new beginnings, creative deviations: as complement to digital mass culture, taking place before our eyes is a movement largely freed from the pressure to generate a profit, a niche revolution of sorts in analogue media.
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