The Incredibly Sad Princess

Direction
Year
1968
Country
  • Czech Republic
  • Slovakia
Duration
83min
Audio Tracks
Subtitles

Director Bořivoj Zeman gained a reputation as a timeless storyteller with films including Pyšná princezna (The Proud Princess, 1952) and Byl jednou jeden král… (Once Upon a Time, There Was a King..., 1954). This well-earned prestige was again consolidated in 1968, when Zeman co-wrote the screenplay for Šíleně smutná princezna (The Incredibly Sad Princess, 1968) with František Vlčka. The pair had already worked together on the comedy set in a trade union convalescence centre, Anděl na horách (Angel in the Mountains, 1955), and also on the exuberant parody Fantom Morrisvillu (The Phantom of Morrisville, 1966).

Zeman’s timeless versatility also shines in this fairytale, which very much reflects the growing sense of freedom felt by Czechs during the Prague Spring (the film premiered in June 1968). The moods of the time are reflected in a similar manner to several of the author’s 1950s fairytales, which served as a quintessential example of the Stalinist-era cinematography of Czechoslovakia.

In 1968, the then 56-year-old director utilised the popularity of two contemporary pop stars – Helena Vondráčková and Václav Neckář – who play an eternally squabbling but loving pair. Also of note is the fact that the two main characters share the same first names as the actors who portray them: Princess Helena and Prince Václav are the descendants of neighbouring royal families. Their fathers, Kings Dobromysl (Bohuš Záhorský) and Jindřich (Jaroslav Marvan), merged the royal houses through marriage some years ago. The discordant youngsters, who barely know each other, have no intention of sticking to this pre-arranged marriage. But in the end, they fall in love when they mutually conceal their identities from each other (similarly to Krasomila and Miroslav in 1952’s The Proud Princess). The stubborn Helena decides to force the issue of the marriage, deciding to play out the role of the sad princess in front of her father Dobromysl. The plan is that this loving father will give away his daughter to the “noble saviour” without knowing that he is the son of King Jindřich. But the advisors to both kings, Ypsilon and Iks respectively, cause trouble. Opposed to a marriage between the royal houses, they instead set the two families against each other in open conflict. But everything turns out fine in the end thanks to common sense and the help of a kind nanny.

Graphic designer and illustrator Jiří Winter Neprakta provides the film with a modern aesthetic, as does music and song composer Jan Hammer Jr., then aged just twenty

Collections

Details

  • Original title
    Šíleně smutná princezna
  • Direction
  • Screenplay
    František Vlček, Bořivoj Zeman
  • Cast
    Helena Vondráčková, Václav Neckař, Jaroslav Marvan, Bohuš Záhorský, Josef Kemr, Darek Vostřel, František Dibarbora, Stella Zázvorková
  • DOP
    František Valert
  • Editing
    Josef Dobřichovský
  • Music
    Jan Hammer ml.
  • Sound
    Adolf Nacházel
  • Duration
    83 min (46-90 min.)
  • Year
    1968
  • Country
    • Czech Republic
    • Slovakia
  • Colour
    • Colour
  • Distribution
      • Národní filmový archiv
      • Malešická 12
      • 130 00 Praha 3
      • Czech Republic
      • web: http://www.nfa.cz/
      • tel: +420 271 770 500
      • fax: +420 271 770 501
      • e-mail: nfa@nfa.cz

Comments

In order to add a comment please login or register first.

DAFilms.com is powered by Doc Alliance, a creative partnership of 7 key European documentary film festivals. Our aim is to advance the documentary genre, support its diversity and promote quality creative documentary films.

Doc Alliance Members

Join to get regular updates on our film program:

By sending the registration for the Newsletter, I consent to receiving commercial communications through electronic means and to related personal data processing required for the purposes of sending the Newsletter of Doc-Air, z.s. I confirm having read the Principles of Personal Data Processing, understanding the text and consenting to the same, while I acknowledge the rights specified herein, including, without limitation, the right to submit objections against direct marketing techniques.