How are the traveler and the exile different? How shall we think of memories created in exile? This are the axis upon which Days in Sintra rotates. The film is a poetic account of the exile of Glauber Rocha in Sintra, Portugal, in which photographs serve as a mnemonic guide to the search for traces of the filmmaker’s passage through the city. Gaitán’s film about her longtime partner Rocha is built on the border of a fragmented, involuntary, unfinished, and precarious memory.
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