Swiss architects in China. Le Corbusier. Office spaces in the US. An artificial hill in Berlin. Communist sculptures in Czech public space. The subway. Mining settlements... We present a rich variety of films dealing with urban space and architecture. Until Sunday, October 11, you can watch them at DAFilms for free.
Our current programme is linked to the World Architecture Day. What films do we present? They include portraits of period and style phenomena, personalities from the ranks of architects, essays as well as film experiments.
Are you going to work or live in China? Do you wonder what happens when the Chinese and Europeans build a house together? Then you need to see THE HOUSE IN THE PARK. Director Hercli Bundi tells the story of three architects from Switzerland who were invited to construct a pavilion in Jinhua near Shanghai.
During the communist regime, there was a law in Czechoslovakia ruling that 4 percent of the construction budget is used for fine arts and decoration in architecture. The documentary film ALIENS AND HERONS by Rozálie Kohoutová maps the sculptures from the normalization era situated in public space at housing estates and in city centres. You can learn more about the Aliens and Herons project here.
Teufelsberg is a man-made hill on the outskirts of Berlin. It was built by the American Allies with the rubble of the city destroyed by World War 2. The hill has a rich and bizarre history including attempts to eavesdrop on the military traffic of Soviets, East Germans and other nations of the Warsaw Pact. The documentary film BERG employs samples and scenes from famous spy movies.
EYE OVER PRAGUE is a documentary about the “blob”; a project of the National Library designed by architect Jan Kaplicky (1937–2009) which has become known as the “Octopus”. The film collage captures Kaplicky’s architectonic vision as well as his character and personal life.
DK is another personal portrait of a Czech architect, this time compiled out of his video archives. Made by his wife Bára, the film presents David Kopecký as a builder who loves to destroy, a bold alarmist, shy eccentric, austere hedonist and inventor of life. The film has won the Pavel Koutecký Award among others.
The fascinating transport system of the subway whose underground architecture constitutes a specific space and situation of perception is the main theme of ORTEM made by Polish director Dariusz Kowalski.
In 1914, Le Corbusier developed a construction system of reinforced concrete. Media artist and director of DOMINO Lotte Schreiber took a winter journey across Greece to make a film about the consequences of the revolutionary discovery – the concrete skeletons that are often seen not only in Greece.
The second film by Lotte Schreiber included in our collection is BORGATE about Italy’s Don Bosco housing project. Thought planned while Mussolini was in power, it matches the Modernist style of the 1950s and the 1960s.
“If there is nothing there, I invent a preexistence.” RECONVERSION portrays 17 buildings and projects designed by exceptional Portuguese architect Eduardo Souto Moura.
A curious and quaint medley of beauty and ugliness, wisdom and stupidity, joy and sadness, filth and colourfulness; INDUSTRIAL ELEGY tells the story of abandoned mining settlements in Northern Moravia and their bizarre inhabitants.
Discipline and punish... In the second half of the 18th century, Jeremy Bentham designed the model of a panopticon, a type of building that made supervision most effective. Panopticons were firstly used for prisons, places where supervision and punishment are the main functions. By rereading Michel Foucault’s Discipline and Punish and through experience with different kinds of supervision, Andrea Slováková looks for the perfect application of the panoptical principle in her film IN SIGHT.
Vladimír Turner’s COMMENTS ON MEGAPOLIS focuses on four main themes: class/racial classification, restrictions/monitoring people’s life in the city, urbanism/speculation with public space and pollution of the environment. Turner has employed video art approaches to combine public art and intimate performances in a larger whole.
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