Daniel Kötter’s single take film Neues Theater, based on a performance staged in November 2011, examines a moment of fundamental change in the understanding of public space in post-communist Poland.
A group of Pangcah people left their homeland in the eastern Taiwan to seek jobs on the western coast. They drifted from one construction site to another, until they finally settled on a temporarily unclaimed clearing behind a university, building a community far away from home.
In a rural site in Lonquén, a place near Santiago, and hidden inside a mining furnace, the bodies of 15 peasants were found. They had been detained by the police in 1973, a few days after the military coup. Their relatives searched for them for 6 years...
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