Evidence is both an analysis of corporate spending and the impact of dark money on US politics and ideology and a personal meditation on ideas of family and care.

It is said about Maria Lassnig that she was ageless. Wise as a young girl and young at heart as an old woman. A hybrid film about the famous Austrian painter.

Political drama and a desperate comedy. A personal film, questioning all kinds of radical ideologies while not taking itself all too seriously either.

Documentary tracing a lived social infrastructure of care, solidarity and struggle that addresses a recent case of police and state violence in Belgium.

After 20 years of silence, Olga travels back to the house of her great-grandparents and confront her uncle, who hid his double personality for decades.

Almost retired Joaquim reminisces about his life as a cab driver in New York.

Documentary follows trees that are transported, at great expense and inconvenience, from the coast of the Republic of Georgia to the private garden of that country's former prime minister.

Memories woven through unique footage where the actresses of Kalas Group’s actresses resist trans genocide by turning the stage into a trench.

An autopsy report describes the physical impact on the body that results in death but hides the structural and recurrent violence on women’s bodies that leads to femicide.

In the desert of Southern California, lies the unfinished city of California City originally intended to mirror Los Angeles, but it was never completed.

Film essay based on a prior film Anna from 1975, addresses the place of women in a world that was full of discrimination back in the 70s and remains so today.

The head of powerful media company decides to manufacture (and then publicly destroy) its own celebrity: the wealthy, handsome playboy Dorian Gray.

13 adolescents from a school in Donbass which was destroyed during the war in Ukraine, and subsequently rebuilt, share themselves in front of the camera. 13 lives inhabiting an intermediary space, both emotionally and socially.

In collage sequences, the surrogate of synthetic sensuality takes form and seduces the sailors in the guise of a Hawaiian girl.

Two national leaders reach out and shake hands, while a third one watches. Yasser Arafat, Yitzhak Rabin, and Bill Clinton. A historic moment, repeated 20 times.

For 727 days a woman is separated from her husband after his deportation. A courageous portrait of love in light of one country’s policy on foreigners.

A stranded stranger ends up in a small town in Austria. There he meets Magdalena, whose ex-husband is a police officer investigating illegal immigrants...

In 2011, Pope Benedict XVI visited Germany. If the press was to be believed, the whole country was gripped by Pope mania. One of his stops was Erfurt.

What does a baby's cry have in common with the echo of a mountain yodler, and what connects the head tone of a Tuvin nomad with the stage show of a vocal artist?

People, monsters, sensations. The beguiling images in Ulrike Ottinger's Prater transform this mythical Viennese attraction into a cinematic experience.

Thomas Heise, a filmmaker from the former East Germany, takes a trip to France to visit his brother Andreas, who lives there in a rather unusual situation.

A celluloid aperitif for the summer combining found footage of seashores using the filmmaker’s own archive of coastal material.

Six life stories of German, Austrian and Russian Jews which intersect in exile in Shanghai.

Experimental movie that broke new ground for its exploration of lesbian identity and desire, beloved for its radical depiction of queer sexuality on screen.

Striking images of four gay and lesbian couples with footage of an unearthed forbidden and invisible history in documentary essay by Barbara Hammer.

A group of Europeans traveling on the Trans-Siberian railroad is taken captive by a Mongolian tribe.

In this four and a half hour documentary or filmic travelogue, Ulrike Ottinger tries to impart new ways of seeing a foreign culture.

The head of powerful media company decides to manufacture (and then publicly destroy) its own celebrity: the wealthy, handsome playboy Dorian Gray.

Ulrike Ottinger transforms Virginia Woolf’s queer feminist classic ORLANDO into an eccentric adaptation of five episodes.

A rich, unnamed, enigmatic woman embarks on a single-minded quest to drink her way into oblivion.

On the women's ship Orlando the flags of attack, leather, weapons, lesbian love and death are raised.