For some the Dirndl is just a pretty, colorful dress with an apron, for others it is a lifelong confrontation.

With an ad in a newspaper, Ruth Beckermann announces a casting call for a film based on a well-known pornographic text.

A pseudo-documentary which shows a cult of women dedicated to the veneration of the skull of the Peruvian Independence warrior Tomasa Ttito Condemayta.

After 20 years of silence, Olga travels back to the house of her great-grandparents and confront her uncle, who hid his double personality for decades.

Almost retired Joaquim reminisces about his life as a cab driver in New York.

Documentary follows trees that are transported, at great expense and inconvenience, from the coast of the Republic of Georgia to the private garden of that country's former prime minister.

Memories woven through unique footage where the actresses of Kalas Group’s actresses resist trans genocide by turning the stage into a trench.

An autopsy report describes the physical impact on the body that results in death but hides the structural and recurrent violence on women’s bodies that leads to femicide.

In the desert of Southern California, lies the unfinished city of California City originally intended to mirror Los Angeles, but it was never completed.

Film essay based on a prior film Anna from 1975, addresses the place of women in a world that was full of discrimination back in the 70s and remains so today.

The head of powerful media company decides to manufacture (and then publicly destroy) its own celebrity: the wealthy, handsome playboy Dorian Gray.

Two national leaders reach out and shake hands, while a third one watches. Yasser Arafat, Yitzhak Rabin, and Bill Clinton. A historic moment, repeated 20 times.

In 2011, Pope Benedict XVI visited Germany. If the press was to be believed, the whole country was gripped by Pope mania. One of his stops was Erfurt.

What does a baby's cry have in common with the echo of a mountain yodler, and what connects the head tone of a Tuvin nomad with the stage show of a vocal artist?

People, monsters, sensations. The beguiling images in Ulrike Ottinger's Prater transform this mythical Viennese attraction into a cinematic experience.

Thomas Heise, a filmmaker from the former East Germany, takes a trip to France to visit his brother Andreas, who lives there in a rather unusual situation.

A celluloid aperitif for the summer combining found footage of seashores using the filmmaker’s own archive of coastal material.

Six life stories of German, Austrian and Russian Jews which intersect in exile in Shanghai.

A group of Europeans traveling on the Trans-Siberian railroad is taken captive by a Mongolian tribe.

In this four and a half hour documentary or filmic travelogue, Ulrike Ottinger tries to impart new ways of seeing a foreign culture.

The head of powerful media company decides to manufacture (and then publicly destroy) its own celebrity: the wealthy, handsome playboy Dorian Gray.

Ulrike Ottinger transforms Virginia Woolf’s queer feminist classic ORLANDO into an eccentric adaptation of five episodes.

A rich, unnamed, enigmatic woman embarks on a single-minded quest to drink her way into oblivion.

On the women's ship Orlando the flags of attack, leather, weapons, lesbian love and death are raised.