A big cinema documentary about water being for Dutch people both a place of work and pleasure, and a source of threat and misery.
A premonition of a horror film, lurking danger: A house – at night, slightly tilted in the camera´s view, eerily lit – surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building. She enters it. The film cuts crackle, the sound track grates, suppressed, smothered...
The hero of Instructions for a Light and Sound Machine is easy to identify. Walking down the street unknowingly, he suddenly realizes that he is not only subject to the gruesome moods of several spectators but also at the mercy of the filmmaker...
A documentary report covering a football tournament at the stadium of S. K. Viktorie Žižkov in June 1914. The film also captures interesting personalities – one of the admirers and pioneers of cinematography...
A flight under the Prague’s Railway Bridge in July 1919 and its tragic consequences: the death of the director of YMCA in Prague and a river custodian...
The oldest preserved monothematic film about Prague, capturing the city’s atmosphere at the beginning of the 20th century. Quiet nooks, historical sights, street traffic – unique footage of a tram on the Old-Town Square and traffic bustle on the Charles Bridge.
A series of films by the pioneer of Czech cinematography, architect Jan Kříženecký (1868 – 1921), as composed and titled by film collector Bohumil Veselý (1903 - 1971) in the year 1968.
One of the first Czech scientific documentaries, made by the Society of the Friends of Nature, containing footage of the preparation of a frog’s heart, its pulse, and the response of nerves when irritated by electric current. The film was made by the pedagogue and promoter of sciences Bohumil Bauše (1845 - 1924).
The film, shot from a boat floating in St. Johann’s Rapids on the Vltava River, became the first Czech film awarded abroad (Grand Gold Medal at the 1st International Film Exhibition in Vienna in 1912)...
Film news from a farming exhibition, horse races, shooting contest, visit to the grave of František Palacký and the funeral of Bedřich Pacák, a member of parliament. It is the only completely preserved documentary news journal by ASUM. Mere fragments have survived from two other newsreels (March 1914, April 1914).
An edited documentary, composed by AB as a montage of film footages shot during the first days of independent Czechoslovakia (October – November 1918), capturing revolutionary events in Prague.
This short, Oscar award-winning, film was shot in the glass factories of Leerdam and Schiedam and demonstrates how glass blowers do their work.
A perfect, fast and hilarious montage. Using images from Amsterdam Zoo, Bert Haanstra shows that a couple of similarities can be discovered between man and animal.
In Rembrandt, Haanstra shows that it is possible to make a fascinating film, only with images from paintings.
Bert Haanstra in this short film gives his vision - from the water – of a tranquil Holland.
A portrait of The Netherlands and the Dutch. With the aid of a hidden camera Haanstra observes people in the most diverse situations and shows the unusual in the usual and reverse.
After the "Velvet Revolution" of 1989, a number of previously taboo subjects opened up to Czech documentary filmmaking. One of these was the theme of the post-war resettlement of the Sudeten Germans from Czechoslovakia...
A film study in which the symbol of flight which contradicts human limitations inspires an emotional rhythm of scenes varying along three lines.
Scratched film stock that reminds us that film remains in a state of birth, a shocking poem of physical suffering and the danger of organized violence that can be denied by a cynical but free gesture.
Szirtes's masterful experimental work is a dazzling composition of several years of filming within an industrial macro/microcosm, an abstract model of revolution and the beauty of daybreak.
A romantically charged cinematic poem capturing the mood in Budapest in the late 1960s and early 1970s, in a work inspired by avant-garde films of the 1920s and directors such as Walter Ruttman and Dziga Vertov.
Film journals are constantly being made and edited and end in death - Szirtes's intimate social journals are an epic, multi-layered system, a remarkable reflection of an individual and of contemporary mores.
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