A young woman discovers her grandmother's mountain village, which she fled during the Greek Civil War. There, she faces ruins and oblivion. The summer brings her back to the village, along with a feeling of imminent change.

The main characters of Chekhov’s The Seagull, today, here, on three lovely, hopeless summer afternoons.

A slice of life – in 75 shots.

How to film what we are forbidden to experience? How to state what we cannot say? How to record the sound of what does not sound? What place do women occupy in a mining town?

Counting, walking, getting lost, then dissolving into the landscape. Such is the movement in which Elsa Brès involves us in Sweat, a film shot in the Mississippi delta.

Two women and a dog live next to each other in a house during one summer and fill up this peaceful time.

Voin grew up in communist Bulgaria. After twenty years in Western Europe, he returns to those places in Sofia where he spent his childhood and adolescent years.

The biography of Bibi, a wild caught female elephant from Zimbabwe, who was imported to the Zoo of East Berlin in 1989.

On the western-most point of brittany, in the lighthouse, at night, Damien is busily building a mysterious something out of pieces of mirror.

A documentary essay about the construction of the in which the filmmaker – a New Yorker who has made his life in Buenos Aires – wonders how can he give to his daughters that which does not belong to him.

Fourteen-year-old Maria spends her time in the extensive tropical garden of her family house. When she meets her brother and his friend Adrian on motorcycles during the New Year celebrations, she decides to flee with them to find paradise on earth together.

Using video assist recorded images, Antecâmara is about the “act” of shooting, the physical reality and ritual energy of two film crews during the preparation for a shot.

What if the danses macabres, beyond their grimacing folklore, staged the death of the Middle Ages and the invention, in the middle of the 15th century, of modern Europe?

The Green Vessel tells the journey and the story of an old man on a river. Like a storyteller, he shares with us a story: the tale of a scientist, who discovers a contaminated river, and tries to understand the sources of this problem.

Bab Sebta is a series of reconstructed situations observed at Ceuta, the Spanish enclave on Moroccan soil. This site is the theater of the trafficking of goods manufactured and sold at cut-rate prices. Thousands of people work in it each day.

Cunning and slender, harassed and on the run, Reynard is a metaphor of a never ending obsession with each breath, each gesture, each thought. Marta seeks in the emptiness of her body a way to arrive to her inner essence, in an abstract search of a free spirit that might end in her own enclosure.

A poetic documentary about the Mediterranean brings together a mosaic of images of the southern and the northern coast that the director, writer and poet Nathalie Quintane collected without traveling anywhere – they acquired them through hotel and other publicly accessible webcams.

On the vast and empty roads along the Pyrenees, Two women are marching on a blind pilgrimage. The one is carrying an unborn child in her belly, The other a huge inflatable hemorrhoid on her back.

A circus troupe has raised its tent outside a small town to finish the last touches to its new and great show The Rights of Man.

Steven Moran, twenty five years old. He lives in Los Angeles, California. He spend all his nights and days on his own, filming himself, driving his car.

Shot through the eyes of Felipe (35), a tortured film director who tries in vain to create an authentic portrayal of love that his grandfather could so easily capture in his amateur films of decades prior, his lens follows two actors Edel (30) and May (30) who play the characters Alejandro and Rita, two strangers with two different motives looking for the same girl: Laura.

Luminous Shadow is born of an artistic residency process developed in proximity with the collection and the curatorial prism of the International Arts Center José de Guimarães.

A shivery meditation on the poisonous social media speculation that flourished in the aftermath of the Boston Marathon bombing.

In 1973, 19 workers were arrested. Their bodies were found later in a common grave. 40 years later, a policeman breaks the silence pact and discloses the facts of the massacre.

Julia Katharine, a transgender Brazilian-Japanese actress , welcomes the film-maker (she has already worked with) into her home. Before morning has broken, she tells the story of her life..

In early 90’s, a 12-year old Serbian girl was brutally murdered in Zagreb. The perpetrators were soon found but never convicted. A quarter-century later, well known director Oliver Frljic is working on a theatre play about the case. The rehearsals bring out hidden traumas and become collective psychotherapy, and the 12-year old actress Nina feels as if the war had never ended.

Noise is the houses is a film about the creation of experimental music in Buenos Aires. Influenced by the urban environment, different artists improvise ephemeral sound pieces that oscillate between music and what is commonly considered noise...

In a small, snow-covered town in Belarus, a former English teacher manages to scrape a living distributing leaflets to people’s letterboxes. In the evening, he joins his wife in their dingy apartment, and together they reminisce about their son, a student in Minsk they rarely see...

‘What you see you shall become’. Used as an epigraph to the film, this quote from the gnostic Gospel of Philip invites us to enter a cyclic and extrasensory universe. Behind Our Eyes introduces in turn the portraits of three solitary individuals living non-conformist lives, from adulthood to teenage years and finally to a childlike state...

Dora García intertwines politics, psychoanalysis and performance into Second Time Around. This staged documentary orbits the figure of Oscar Masotta, a pivotal theorist in the Argentinian avant-garde from the 1950s to the 1970s...

Jean is a fireman whose girl friend Albertine died of a horse accident shortly after having left him. He suffers a great pain because he had serious hopes of her coming back home...

A non-typical story about immigration—a Taiwanese student in Brussels investigates his identity crisis through a personal documentary essay.

A filmmaker in the statistical middle of his life suffers from chronophobia. He has to find a way to slow down the passage of time. A personal essayfilm exploring the essence of time.

Do really blind people know nothing about the world around them. The documentary record blind schoolchildren using cameras...

For the past several months, the infamous refugee camp in Calais has been home for a young Afghani boy. His daily experiences and his feelings about life are reflected in his letters to his parents, which paint a picture of the inescapable situation of hopelessness.

Deep in South-East Cameroon, the great primary tropical forest shelters a territory for which colonial powers fought, exploiting through forced labor the prodigious resources of nature. At the heart of this region, the people are now mobilized around an economy of survival — the consequence of this history.

In 1991 the Soviet Union disappeared. With the dissolution of communism, western consumerism bled into Russia. Youth culture in Russia started to appropriate western forms of dance music and the drug culture that sometimes comes with it...

26-year-old Taelor navigates drug abuse, guns, madness & inherent violence of the rich, white Houstonian ghettos in Trump's America.

In 2015, Nuhad, a 53-year-old Syrian woman, decided to leave Damascus. Her destination was Beirut to stay with her son's friend Angie, a 27-year-old Lebanese woman...

From Afghanistan, little is known but a few cliches, the word Taliban, and a war that seems to have never ceased since the Soviet era and its new turn taken since 2001. A country devastated in a state of permanent conflict, a population deeply marked: how to do it justice?

The film was inspired by the letters exchanged between two leading Portuguese poets, Sophia de Mello Breyner Andresen and Jorge de Sena, during the exile of the latter (1957-78)...

In Como De la Gana – shot during Pinochet’s dictatorship – Agüero asked his colleagues about what they were filming and whom they made their work for. Thirty years later, now with Chile under a democratic rule, the question has changed to “What is the essence of cinema?”

In today's society we are daily invaded by images of beautiful and young bodies. Older bodies are hidden and forgotten as if they were steeped in negativity. In this film we are faced with these bodies, naked and happy, on a day-to-day of a beach in Lisbon area.

In the evacuated zone around the nuclear plant of Fukushima, five years after the catastrophe, the village of Tomioka is still abandoned and empty of its five thousand inhabitants. A few rare individuals still live there, however, pacing a land burning with radiation.

A young girl disappears in a forest in the heart of São Paul

The starting point for this unusual film is an American film production by Bertolt Brecht, inspired by an article in Life magazine. Shortly after arriving in the United States in 1941, the famous writer and playwright was fascinated by a report on the daily lives of a family of ‘model’ farmers who had been invited to live in a ‘model’ home open to the public 12 hours a day...

What kind of images can possibly represent the people who are described as ‘homeless’? Are there images appropriate for the experience of having no home? Christophe Bisson asks himself this question and in order to answer this expansive aim, he sets the question in a particular setting...

Ignasi Duarte’s unique taste for circuitous methods of story-telling is a technique exemplified in his film Montemor (2012) and is developed further here in The Monster in the Stone. The film is conducted through a single interview with Alberto Laiseca who wrote many books including his masterpiece Los Sorias, a florid and erudite dystopia wherein myth is interspersed with comedy...

The life of every human is just as fleeting, and this particularly applies in the case of artists...